Readers’
Choice Poem of the Year
Lenard
D. Moore
hot afternoon
the squeak of my hands
on my daughter’s coffin
THE WAY IT HAPPENED
by Lenard D. Moore
The afternoon sweltered with humidity two days before summer began
and one day before Father’s day. After our daughter Maiisha LaShawn
Moore’s funeral on June 19, 2004, we were driven in procession to
Carolina Biblical Gardens. Once we emptied the long, dark blue family
car, and others got out of their glinting cars and SUVs, we walked
to the green tent and sat in the metal chairs. My wife Lynn, other
family members, and I were handed white roses. I was the first person
to lay a rose on my daughter’s coffin, which was also white. I planted my hands
on the coffin. Somehow they slid down, giving off a squeak. I had
never heard such a sound. It was as if my hands screamed. I didn’t
know my hands were moist. All I knew was the sound—that awful squeak
pierced a door into the house of memory. I kept thinking about that
squeak, which resonated so clearly in the cemetery hush. I kept
thinking about how I considered carrying my daughter’s coffin from
the hearse to the gravesite, even though family members insisted
I let the pallbearers carry her. At that point, I had felt my daughter
would have wanted me to be one of the six pallbearers. When the
family car pulled off to take us in procession to my brother and
sister-in-law’s house for the repast, I turned toward the window
on my right and saw the coffin lowering into the earth. I didn’t
want to leave the gravesite so soon. I was clinging to memories
and to a haiku Maiisha wrote when she was only six or seven years
old. I still remember that night in the late 1980s when we were
riding on Barwell Road and Maiisha recited her haiku to me:
the dark rock-road
a car coming down it,
me and my daddy
— Maiisha L. Moore
I still remember a morning in the mid 1980s when we were leaving
our apartment on North Hills Drive to take our daughter to camp
and from there to go to work. I remember the haiku my wife Lynn
wrote on that occasion:
morning fog
my daughter dropped off at camp
fumes of city bus
— Lynn G. Moore
To further illustrate the meaning of family for us, I might go
back even further. I still remember witnessing my wife breast-feeding
our daughter in private and in public:
a black woman
breast-feeding her infant —
the autumn moon
— Lenard D. Moore
How I remember all those Friday evenings and nights in the 1980s,
1990s, and the early 2000s when Lynn, Maiisha and I went out to
dinner and then to the movie theater. How I remember the shopping
trips to Charlotte and Potomac Mills; the vacations to Atlanta,
Savannah, Myrtle Beach, Atlantic Beach, Bluefield, Jacksonville,
Washington, DC, and the Bahamas.
The three poems above all appeared in Chapter Two, “It’s a Family
Affair,” of the book CATCH THE FIRE: A Cross-Generational Anthology
of Contemporary African-American Poetry. Perhaps, when one reads
that Chapter Two title, he or she will hear Sly Stone singing those
words the way he did more than three decades ago. Maybe one will
also hear Sister Sledge singing “We Are Family” as they did so eloquently
more than twenty-five years ago. I don’t think I could say anything
more about our own family bond.
— Lenard D. Moore
January 20, 2005
NOTE: The poems “the dark rock-road,” “morning fog” and “a black woman”
have previously appeared in CATCH THE FIRE: A Cross-Generational Anthology
of Contemporary African-American Poetry (Riverhead Books—Penguin Putnam,
1998) edited by Derrick I.M. Gilbert (a.k.a. D-Knowledge). The poem
“a black woman” also appeared in TROUBLE THE WATER: 250 Years of African-American
Poetry (Mentor—Penguin Books, 1997) edited by Jerry W. Ward, Jr. Permission
to reprint granted by Lenard D. Moore and Lynn G. Moore, co-executors
of the estate of Maiisha L. Moore. |